Blue Sky


회사의 역사는 짧지만 모니터 스피커로 세계의 엔지니어 사이에서 이미 인정받은 미국회사 제품입니다. 명성있는 엔지니어가 디자인하여 사운드나 가격면에서 차별화된 제품입니다.

 
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1.Sky System One



Sat 6.5 and SUB 12 represent the first products built using this philosophy.
Ultra high quality, THX Approved studio monitors, with a price vs.
performance ratio that cannot be beat.

The SAT 6.5 monitor is both substantial and distinctive in appearance. It's
a biamplified two-way monitor consisting of a 6 1/2-inch hemispherical
woofer and 1- inch tweeter, but that's where the similarities to other small
monitors end.
The SUB 12 is a powered 12-inch woofer with a typical in-room bandwidth
of 20 to 200 Hz. It's amplified by a 200-watt amplifier. The unit is 18 inches
high by 16 inches wide by 20 inches deep, weighs 62 lbs., and comes with
attachable spiked isolation feet. The SUB 12 also has an integral bass
manager section, but for stereo only (for the 2.1 system) operation.

The result is the Blue Sky System 5.1, a system that contains not only the
monitors, but also the bass manager and monitor controller in one
seamless and affordable package.

Why do leading industry professionals choose Blue Sky Bass-Managed
Monitoring Systems as their reference monitoring system?

1. Blue Sky Bass-Managed Monitoring Systems are truly full-range!
Unlike most monitoring systems on the market today (even most large dual
15" in wall studio monitors), only a bass-managed system, like the SAT
6.5 / SUB 12, can deliver true full-range in-room response (20Hz to 20Khz).
This allows you to hear everything that your digital recorder is recording,
including many of the subsonic artifacts that only a mastering engineer
would typically be able to detect.


2. Blue Sky Bass-Managed Monitoring Systems strictly adhere to industry
standards put forth by companies like THXR and DolbyR. Blue Sky
believes that your monitoring system shouldn't just sound good, but that
the mixes you create on these monitors should also translate into other
environments such as Consumer Audio Systems, Consumer Home
Theatres or even Commercial Cinemas.

3. Unlike many systems on the market, Blue Sky's computer optimized
bass-management and crossover networks ensure accurate and smooth
transition from Subwoofer to Main Monitor and smooth on and off axis
frequency response... We strongly believe that our monitoring systems
need to be unquestionably accurate and we therefore have our products,
measurements and data reviewed by an independent company- Lucasfi
lm's THX Division. THX reviews and then approves that we have met or
exceeded all of their stringent standards for professional monitoring
systems under their pm3 program. Monitor with confi dence!



SAT 6.5

  • INPUT IMPEDANCE ..............................40k ohms balanced
  • S_lanced..............................................200 mV = 90 dB @ 1 m
  • MAXIMUM INPUT LEVEL...............................+24 dBu balanced
  • FREQUENCY RESPONSE ..............................±1.5 dB, 200 Hz to 10 kHz; ±3 dB, 80 Hz to 20 kHz
  • LOW-FREQUENCY CUT-OFF.........................................80 Hz
  • CROSSOVER FRE_SOVER1.5 kHz
  • LOW FREQUENCY DRIVER...........................................6.5-inch
  • HIGH FREQUENCY DRIVER ..........................................1-inch
  • CONNECTORS .................................................XLR balanced input
  • CONTROLS ..........................input gain
  • VIDEO SHIELDED .................yes
  • POWER ...................................100 watts RMS into 4 ohms per driver
  • DIMENSIONS/WEIGHT...............12 H x 8 W x 10-1/4 D (inches), 27 lbs.

 

SUB 12

  • INPUT IMPEDANCE ............................................20k ohms, balanced
  • S_lanced............................................................100 mV = 90 dB @ 1 m
  • MAXIMUM INPUT LEVEL ...................................+24 dBu, balanced
  • FREQUENCY RESPONSE (ANECHOIC)................±3 dB, 30 to 200 Hz
  • DRIVER ..........................12-inch
  • CONNECTORS ..............right and left balanced XLR full-range inputs;
    balanced XLR Sub input; right and left balanced XLR satellite outputs;

    balanced XLR Sub output
  • CONTROLS ....Sub input gain; auto-mute on/off switch; polarity invert switch
  • VIDEO SHIELDED ...................................................yes
  • AUTO-MUTE TIME OUT ............................................>15 minutes
  • AUTO-MUTE THRESHOLD(ALLINPUTS)......................30 mV
  • POWER ...........................................200 watts RMS into 4 ohms
  • DIMENSIONS/WEIGHT......................18 H x 16 W x 20 D (inches), 62 lbs.

 

2.BMC(Bass Management and remote volume Controller)


Blue Sky International has created the BMC to offer full bass
management and remote volume control in a convenient, easy to use and
affordable package. Designed for professional applications, such as
surround music or post production, the Blue Sky BMC features fully
balanced inputs and outputs, along with ultra high-quality audio
components. The BMC can be combined with Sky System One or the soon
to be released ProDesk System to create a world class multi-channel studio
monitoring system. Because the BMC utilizes industry standard bass
management circuitry it is also compatible with many other studio monitors.
The BMC includes all the functions you need for proper bass management
and multi-channel volume control.
- includes full function remote control
- 80Hz 2nd order Linkwitz-Riley high-pass filter with a Q of .707
- 80Hz 4th order Linkwitz-Riley low-pass filter
- 5.1 channels of bass management with volume control
- easily expandable to a maximum of 10.2 channels
- +24dBu (maximum input) fully balanced XLR inputs and outputs
- defeatable bass management for pure multi-channel volume control
- LFE level adjustment 0dB or +10dB
- individual output mutes
- individual and master calibration / level controls
- reference and mute controls
- .002% THD + Noise @ 1kHz @ +4dBu

 

 
3.ProDesk



Introducing ProDesk, the first truly full-range monitoring system
specifically designed for critical mixing and monitoring on the desktop.
ProDesk brings the desktop user the same spectral performance as Sky
System One, with the only compromise being less output than its bigger
brother. ProDesk uses the same revolutionary design technologies that
were used in Sky System One. Ultra low distortion, proprietary woofers,
superlative Danish tweeters and highly optimized amplifiers specifically
designed for this application. ProDesk is the logical evolution of Blue
Sky's 2.1- integrated 3-way system concept and when used with Blue
Sky's new BMC, can also offer an extremely high performance 5.1 solution
for desktop applications.
 

SAT 5 
Specifications
Enclosure
.75" MDF with 1" front and rear baffle
.25 x 20 inserts for attachment of Omnimount type 75
brackets
.75" Tweeter
Dual concentric diaphragm with integral wave-guide
High-power capable ferrite magnet assembly
Full video shielded
5.25" Hemispherical Woofer
Cast aluminum frame
1.5" voice coil
Copper shorting ring
Aluminum alloy cone
Fully-shielded vented motor structure
Amplifiers
Dual 60-Watts into 4-Ohm
.01% THD + noise at rated power @ 1 kHz
XLR balanced input
Adjustable gain control
B00® optimized crossover
80Hz filter bypass switch
Input impedance 40K balanced
Common Mode Rejection 40dB typical @ 60Hz
Voltage Sensitivity 200mv=90dB SPL @ 1 meter
Maximum Input Level +24dBu balanced
Frequency Response +/-1.5dB 200 to 10Khz +/- 3.0dB 20 to 20Khz
Low Frequency Cutoff 80Hz
Internal High Pass Filter 80Hz 2nd order (selectable)
System Crossover 1.8kHz

 
 
 
SUB 8 

Specifications
Enclosure
.75" MDF with 1" front and rear baffle
Isolation feet include
8" Hemispherical Woofer
8-inch high excursion woofer with vented motor
Cast aluminum frame
1.5" voice coil
Aluminum alloy cone
Fully-shielded vented motor structure
Amplifier
Discrete symmetrical bipolar design
100-Watts RMS into 4-Ohm
.01% THD + noise at rated power @ 1kHz
XLR balanced input
Adjustable gain control
B00® optimized crossover
Voltage Sensitivity 100mv = 90dB SPL @ 1 meter
Frequency Response (direct - anechoic) 30 to 200Hz
Typical in room response (direct) 20 to 200Hz
(1500 cubic feet)
Bass Management
Input impedance 20K balanced
Common mod rejection 40dB typical @ 60Hz
Maximum Input Level +24dBu balanced
Output Impedance 200 Ohms balanced
Nominal gain 0dB
High Pass filter None (built into SAT 5)
Low Pass filter 80Hz 4th order
Direct In low pass filter None

 

 
4.BigBlue & Stand

Big Blue



Big Blue is a 500-Watt, mid-field studio monitor that is designed for no compromise monitor applications.
Big Blue features dual 8” woofers, a single 4” midrange, and a 1” dual concentric tweeter.
Big Blue is powered by four internal amplifiers; delivering a 100-Watts to each 8” woofer,
200-Watts to the midrange, and 100-Watts to the tweeter.
Big Blue is designed to work with two to four Blue Sky SUB 12 subwoofers,
and provides the necessary SPL for a true full-range mid-field monitoring solution.


 
The Stand



The Stand is an ultra high quality, adjustable speaker support system, which is compatible with Blue Sky's line of studio monitors and through the use of the optional adapter plate, almost any other near-field monitoring system. Designed around a patented center adjustable pole and tilting bracket assembly, the system requires no tools for height adjustment. The included base provides the necessary stability for proper and safe operation, even with monitors nearing 80 pounds in weight.

 

 

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