Digital
Audio Mixer
01V
24 Channel Digital Mixing Console
If you're
ready for your first digital mixer, or if you could use
a rack-mountable, full-featured programmable digital mixer
with 24 inputs to tidy up an elaborate music system that's
not as flexible as you'd like, then you're ready for the
Yamaha 01V Digital Mixing console..
Powerful
The
awesome offspring of the ProMix01, 02R and 03D line - the
world's most popular family of digital mixers - the 01V
is an enormously powerful digital mixer in its own right,
featuring a wealth of professional-level signal routing,
processing and mixing options, as well as crystal clean
sound with 105dB dynamic range - and even the capability
to easily link another 01V for 48 input channels - all at
an enticing entry-level price.
Ideal
Digital Mixer
The
01V is the ideal digital mixer for project studios, broadcast,
private studios, live sound applications, and more. Simply
the most flexible digital mixer available for the money,
the 01V will let you take your music wherever you want to
go - and deliver it in style.
01V96
Digital Mixing Console 24bit, 96kHz Performance
Cutting-edge
Performance, Capacity, Control & Compatibility
You
simply won't find another digital console this compact and
affordable that offers this much performance and flexibility.
The 01V96 fits comfortably in the small-studio space - and
budget while delivering sound, capacity, control, and compatibility
on a par with much larger consoles.
24-bit/96-kHz
Performance Takes Digital Sound To the Next Level
Digital audio technology has come a long way since the early
days of 16 bits at 44.1 kHz - a format that many considered
to be the reason for "harsh", "cold"
sound. The entire industry is now settling on 24-bit/96-kHz
digital operation for significantly superior sonic quality.
The 01V96 does give you a choice - you can work at 44.1
kHz, 48 kHz, 88.2 kHz, or 96 kHz, depending on the needs
of each individual project. But when you want the truly
transparent, incredibly dynamic sound of 24-bits at 96 kHz,
the 01V96 is ready to deliver. It even includes a comprehensive
range of superb 96-kHz compatible stereo effects with 32-bit
internal processing.
24 Analog & Digital Channel Inputs ... Expandable
to 40
Right out of the box the 01V96 gives you 16 analog channe
inputs - 12 with high-performance microphone head amplifiers
- and eight digital channel inputs via a built-in ADAT optical
interface. The first 12 analog channels will accept microphone
signals or balanced/unbalanced line-level signals, while
the remaining four channels can be used either as individual
balanced/unbalanced line inputs or two stereo pairs. Without
going any further you're ready to handle a comprehensive
mix of analog and digital inputs. When you need more, Yamaha
offers a range of Mini-YGDAI expansion cards that can simply
be plugged into the 01V96 expansion slot to provide additional
I/O in a variety of formats: ADAT, AES/EBU, TDIF or analog.
02R96 Digital Mixing Console 24bit, 96kHz Performance
Unprecedented
24-bit, 96-kHz Performance Throughout
Unlike conventional equipment that achieves operation in
96-kHz mode with reduced number of channels, the 02R96 imposes
no such limitations - at 44.1 kHz, 48 kHz, 88.2 kHz or 96
kHz. Full 96- kHz resolution with 32-bit internal processing
and 58-bit accumulators is the standard. You get 56 channels
of transparent, superdynamic 24-bit/96-kHz audio, plus all
the additional effects and processing you'll ever need for
most applications. Yamaha has included a comprehensive range
of 96-kHz compatible stereo effects with 32-bit internal
processing in the 02R96 - plus several designed specifically
for surround. And you can use as many as four individual
effect processors simultaneously.
Superlative
Analog Head Amplifiers & Converters
And what about critical A/D conversion? All onboard A/D
and D/A conversion makes use of the finest 24-bit/96-kHz
converters. This is particularly important in the 02R96
because it features head amplifiers derived from the acclaimed
DM2000 - some of the finest analog mic preamps available
in any console, anywhere. The on-board converters ensure
that you get an excellent digital representation of the
warm, transparent output from these remarkable mic preamps.
I/O capability is also in line with the rest of the console's
performance: four I/O slots accept a new range of 24-bit/96-kHz-capable
Mini-YGDAI digital and analog I/O cards as well as existing
types.
56
Channels in 3 Layers, Plus Extraordinary Patching Flexibility
One of the advantages of working with digital is that it
allows maximum power and flexibility to be packed into minimum
space. On the 02R96 24 precision 100-millimeter motorized
channel faders can be instantaneously layer-switched to
control any of 56 channels. Having all controls right in
front of you at all times not only saves space, but it also
means that all operations can be carried out without having
to move away from the monitoring "sweet spot".
What's more, all available inputs, outputs, effects, and
channel inserts can be assigned to any of the console's
channels or outputs via the 02R96's remarkably versatile,
easy-to-use digital patching system.
For example, any of the four effect processors can be assigned
to an auxiliary buss for send-type operation, or inserted
directly into any input channel as required. A direct out
function also allows the signal from any of the 56 input
channels to be routed directly to any digital or analog
output. The eight auxiliary busses can also be patched to
anywhere in the system. Centralized control means you'll
never have to run around to physically re-patch cables whenever
you need to reconfigure the system, and patch setups you
might want to use again can be stored in the patch library
for instant recall at any time.
02RV2 Digital Mixing Console 40input/ 8 Bus Full Automation
Award-Winning
Yamaha's award-winning 02R Digital Recording Console is
now available with Version 2 software. Hailed the world
over for setting the standard in cost-effective professional
digital mixing, 02R Version 2 raises that standard by including
a long list of new features designed to greatly increase
productivity, further decrease the need for peripheral components,
and even provide an all-in-one sound processing platform
for DVD projects.
Open
System for Compatibility
Still provided are all the powerful features that have made
the; 02R the first choice for professional project and post
production studios relying on TASCAM (TDIF-1), ADAT, AES/EBU,
and Yamaha digital interface formats - not to mention the
versatile cascading options and many on-board processing
functions which make the 02R an ideal live mixing and recording
console. *See Optional Accessories.
40-Input/8-Bus
The 02RV2 includes uncompromising features like a versatile
40-input/8-bus configuration, individual channel PEQ and
dynamics processors, effects libraries, scene snapshots
and full on-board processing functions which make the 02R
an ideal live mixing and recording console.
O2R
Version 2
02R Version 2 includes a long list of additional features
resulting from extensive consultation with many 02R users
worldwide. Added are on-board 24-bit recording capability,
various surround panning options, off-line copy-and-paste
editing, timecode offset and timecode "capture"
for quick location of specific points in a song. There's
touch sense fader editing, which allows a fader to be instantly
updated by simply moving it. There's a much more versatile
I/O assigning of input patched.
03D 26 Input Digital Mixing Console
26-Inputs
and 18-Outputs with Highly Flexible Digital I/O
The 03D's flexible configuration of analog and digital inputs
and outputs makes it suitable for a wide range of professional
mixing applications. Included are 24 input channels and
a fully-featured stereo input - for a total of 26 inputs
plus 4 bus outputs, 4 auxiliary effect sends, a main stereo
bus and a solo bus. Stereo digital inputs and outputs, plus
8 digital inputs and outputs (optional, via a YGDAI slot),
provide a total of 10 digital inputs and 10 digital outputs.
03D VEK (Video Edit Suite Software)
With support for the ESAM II editor protocol, the optional
03D Video Edit Suite software
turns the 03D Digital Mixing Console into a full-feature
digital audio mixer for
video post-pro. With the Video Edit Suite Software installed
and enabled, audio signals
can be mixed and edited along with video. ESAM II support
means that the 03D works
like a video switcher for audio, allowing remote transition
previews from a video editor.
Several extended functions of the ESAM II protocol including
remote fader level control
have been employed. 03D data can be downloaded or uploaded
to a video editor
for centralized data management. The 03D's motorized faders
allow for accurate level
adjustments, and precisely reflect input level settings.
In FROM-TO mode, faders
reflect transition levels. The 03D does not require extra
hardware to the Video Edit
Suite Software. A video editor can be connected directly
to the 03D's TO EDITOR port.
DM1000 Digital Production Console
The
DM1000 redefines the meaning of small format Digital mixer
The DM2000 Digital Production Console and 02R96 Digital
Mixing Console having established in the professional production
market this year, Yamaha is launching yet another new console
at AES in October 2002. The new DM1000 digital production
console is a direct sibling of the flagship DM2000, in a
very compact rack mountable body of 577 (D) x 199 (H) x
430 (W) mm (22.7" x 7.8" x 16.9"), 19 kg
(42 lbs). While it shares key features such as 96 kHz audio,
Surround Monitoring, Studio Manager, and DAW Control with
the DM2000 and 02R96, the DM1000 is designed especially
for commercial production needs such as post-production,
audio for video, and broadcast. Being rack mountable, it
can also be used in any application, including live sound
reinforcement.
The three consoles DM2000, 02R96 and DM1000 are compatible
with each other, with mix data easily interchangeable using
bundled Studio Manager software.
From
large format to small format, Yamaha offers a solution for
all digital mixing needs.
The
DM1000 is set for delivery in March 2003, at a projected
price of MSRP US$5,000 (excluding the MB1000 meter bridge
and SP1000 side panel).
96 kHz standard
Unlike conventional equipment that operates in 96 kHz mode
only with a reduced number of channels, this Yamaha console
imposes no such limitations, delivering the full number
of channels at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full
96 kHz resolution with 32-bit internal processing and 58-bit
accumulators is the standard for the DM1000 (and for the
DM2000 and 02R96).
With
the DM1000, you get 48 channels of transparent, super-dynamic
24-bit/96 kHz audio, plus all the additional effects and
processing you'll ever need for most applications. Yamaha
has included a comprehensive range of 96 kHz compatible
stereo effects with 32-bit internal processing in the DM1000
- plus several designed specifically for surround. And you
can use as many as four individual effect processors simultaneously
DM1000 Digital Production Console
DM2000
is much more than simply a high-performance digital mixer,
it is a total production tool that also offers 96-kHz effects,
advanced surround production facilities, extensive integrated
DAW and machine control, computer and memory-card based
data management, an extraordinarily flexible bus system
with digital patching, inserts, and much more.
Yamaha defined the first generation of affordable, professional
digital mixing consoles. Get ready for the next generation
- total production control.
Dedicated DSP LSIs Deliver Unprecedented 24-bit, 96 kHz
Performance
Unlike conventional equipment that achieves operation in
96K mode with reduced number of tracks, with DM2000 there
is no limitation dependent on sampling frequencies - 44.1kHz,
48kHz, 88.2kHz or 96khz. For DM2000 96Khz is the standard.
To achieve this, no fewer than 14 newly-developed DSP7 LSIs
are utilized in the mixer section with eight DSP6 LSIs for
effects. These chips are designed and manufactured by YAMAHA
specifically for professional audio applications, and deliver
performance that stretches the limits of the most advanced
technology currently available.
By way of comparison, the Yamaha O2R - the digital mixing
console that almost single-handedly started the digital
production revolution, and rapidly became the industry standard
- uses six DSP3 chips in its mixer section. A single DSP7
chip has more than four times the processing power of a
DSP3. DM2000 provides more than 9 times the processing power
of 02R. We're talking about 96 channels of super-clean,
super-dynamic, noise-free 24-bit/96 kHz audio, plus all
the additional effects and processing you'll ever need for
most applications. At 44.1 or 48 kHz the DM2000 is barely
idling.
Internal Effects Fully Support 96kHz Processing
What's the point of having 24-bit/96kHz audio if you have
to convert down to a lower sampling rate for effect processing?
The point may seem obvious, but that's exactly what's happening
if you're using hardware or software processors that don't
offer 24-bit/96kHz performance anywhere in your signal chain.
That's why Yamaha included a comprehensive range of 96-kHz
compatible stereo effects in the DM2000 - plus several designed
specifically for surround. And you can use as many as eight
individual effect processors simultaneously.
24-bit/96kHz
Onboard AD/DA Conversion
Taking the preceding discussion a step further, what about
analog-to-digital and digital-to-analog conversion? The
same applies: if you don't have all 24 bits at the full
96 kHz in top-quality converters, you're definitely going
to be missing something (i.e. part of your sound). Once
again, the DM2000 imposes no limitations. All onboard A/D
and D/A conversion makes use of the finest 24-bit/96kHz
converters. This is particularly important in the DM2000
because it features some of the finest analog mic preamps
available in any console, anywhere. The on-board converters
ensure that you get an excellent digital representation
of the warm, transparent output from these remarkable mic
preamps. A new range of Mini-YGDAI digital and analog I/O
cards also provide full 24-bit/96kHz capability.
Comprehensive
Automation and Scene Control
Automation and Scene Memory recall capability are essential
elements of modern digital mixing consoles. With the DM2000,
Yamaha takes these functions to an even higher level of
precision and ease-of-use. While providing full automation
of virtually all console parameters, DM2000 features smooth
and quiet touch-sensitive, 100mm motorized faders that make
writing and updating automated mixes faster and more intuitive
than ever. And all automation data is recorded at 1/4-frame
accuracy to ensure excellent precision.
Complete
Surround Solution
It looks as though an industry-standard surround format
is finally here, and the DM2000 provides everything required
for a complete surround solution. All the facilities you
need for surround processing, panning and monitoring - including
joystick - are provided as standard equipment. The joystick
is the perfect (and generally preferred) tool for smooth,
continuous positioning of 5.1 surround sound for DVDs or
other surround media. And since accurate monitoring is so
essential to surround production, extra care was taken to
ensure that the DM2000 offers the ideal mixing environment
- it includes a downmix matrix which can deliver 3-1(LCRS)
and stereo mixes while you are burning a 5.1 surround mix
to DVD, bass management, and speaker alignment facilities
for optimum speaker system tuning. The DM2000 will even
handle multiple 5.1 stem mixes with ease.
PM1D Digital Audio Mixing console
The
Yamaha PM1D Digital Mixing System takes sound reinforcement
to unprecedented levels of performance and flexibility.
It combines
digital mixing and signal processing technology attained
through more than 12 years experience with digital sound
- more than 100,000 Yamaha digital mixers have already been
sold worldwide - with the type of features and flexibility
that have made the PM-series sound reinforcement consoles
the leading choice of sound professionals worldwide.
Available
in 48-channel and 96-channel base configurations, the PM1D
offers outstanding digital sound quality and controllability
in a system that is remarkably compact, easy to set up,
and cost-effective.
Extraordinary
Programmability, Repeatability and Instantaneous Total Recall
The
entire PM1D system offers extraordinary power and flexibility
in terms of programmability and repeatability. In addition
to a sophisticated analog-style control surface, all parameters
can be accessed and edited via a familiar computer interface,
with graphic readout for easy, efficient operation. In fact,
the entire setup can be programmed off-line on a standard
desktop or laptop computer and then loaded into the PM1D
when needed. Instantaneous total recall of as many as 1,000
scenes makes it a snap to keep up with even the most complex
programs, and undo capability makes it easy to avoid potential
mistakes.
All-digital Sound and Processing
Yamaha
is no newcomer to digital sound. Yamaha digital mixing consoles
have revolutionized the recording and production industries,
and there is no question that the sound quality and processing
power they provide are first class. The same type of technology
has been applied in the PM1D - with many advancements and
improvements that take overall audio performance to new
levels. Top-quality 28-bit AD and 27-bit DA conversion deliver
extraordinary sonic resolution for totally clean, natural
sound. The same goes for signal processing whether it's
EQ, compression, or effects. The PM1D offers vast processing
power and unmatched performance in all areas so you won't
need any external processing gear. Of course, if there's
a device that you simply have to use to achieve your sound,
the PM1D lets you patch it in just about anywhere in the
system. In fact, all signal routing and patching is controlled
via a comprehensive centralized display that makes system
setup a snap.
Compact for Easy Transport and Positioning
The
entire PM1D system - the console itself and one or two equipment
racks (depending on your I/O requirements) - is considerably
smaller, lighter, and easier to handle than comparable analog
systems. And because of the small size of the console, you
have more freedom in selecting and setting up your mixing
location. The PM1D is also a natural choice for mobile applications.
Fast, Easy Setup and Minimum Cabling with Ethernet-based
System Connections
In stark
contrast to the snakes and bundles of cables required for
analog sound reinforcement, all PM1D console-to-stage audio
and control signals are carried via one 68-pin cable per
32 channels, and three Ethernet cables. So once the console
and rack(s) are in position, it should not take more than
a few minutes to have the whole rigs connected and ready
to run.
Analog Audio Mixer
PM4000-48 48channel Mixing Console
Four
stereo input modules standard
More modules are optional.
Electronically
balanced
XLR inputs and outputs.
Optional
Input and output transformers.
All
insert In/Out points operate at +4dBu level
This is for optimum compatibility with pro equipment.
Continuously
variable 50 dB Gain trim
In addition, switchable 30 dB pad let inputs handle any
signal.
6-Step
LED meters on each input
The LED meters on each input assist correct setup for optimum
gain structure.
8
mono auxiliary mixing busses
In addition, two pair of stereo aux mixing busses that can
be used as dual mono, for total of 12 auxes.
8
master mute groups
8
VCA groups
The groups have mute capability and full-length group faders.
8
primary mix busses ("groups")
The mix busses plus a stereo bus which can be "direct
assigned" from inputs or from groups.
11
x 8 Mix Matrix
Extensive
input-priority
It features "in-place" Cue system, plus Solo mode
that mutes other channels.
Built-in
fixed/variable frequency test oscillator and pink noise
source.
The oscillator and pink noise source speed setup and overall
system troubleshooting.
Large,
dedicated stereo VU meters
Also, switchable VU meters for other busses (switching conveniently
located next to operator).
Hundreds
of LEDs The LEDs
indicate status, clip levels, and illuminate switches and
meters-no lamps to maintain.
Extensive
internal switches
In addition, jumpers to alter "default" console
functions.
Lower
noise than ever
It also features superb audiophile quality.
Multiple
exhaust fans on rear panel
These fans keep circuitry cool for maximum longevity.
PM3500-48 48 Channel Sound Reiforcement Mixer
Digitally
Controlled Muting
The input channels, auxiliary returns and output buss On/Off
functions are electron. controlled via a central CPU. The
consoles allow up to 128 patches or "scenes" to
be stored in memory and recalled via a 10-key pad on the
front panel or an external Midi device. In addition to complete
scene changes, external Midi control can be used to individually
turn input and output channels on or off as required. This
means that a Midi Sequencer or music computer can be used
for total mute automation.
Versatile
Mix Matrix
A new 12 x 4ST +4MN matrix configuration with four of the
eight matrices offering stereo output. So, sources can be
mixed and panned into a stereo output for the first four
matrices and into mono output on the other four. Matrix
channels accept a direct stereo sub-input from a rear panel
connector.
VCA
Grouping
Eight VCA Group switches next to each channel fader enable
that channel to be assigned to and controlled by one or
more of the VCA Master Faders. The VCA Master Fader affects
the input channel directly and also alters that channel's
post-fader output to any of the eight auxiliary mixing busses,
something not possible with the conventional Group Master-Faders.
Advanced
Cue/ Solo Functions
This model offers two cue modes. The Last Cue offers several
functions: (1) it allows you to scroll through cues, (2)
it eliminates the search for the previous cue because it
automatically drops it when a new one is selected, and (3)
a double tap on Last Cue button clears the entire board
of all cues. Mix Cue allows you to build, or pile, a cue
onto any existing one. Cue PFL trim/ Cue VCA trim. Adjust
the trim levels of VCA groups and the Master Group to even
out.
Easy
to View Metering
The consoles feature input peak LEDs to properly set levels
of individual channels. Next, the new Peak indicators give
a visual indication of each individual buss. If the levels
on the group, auxiliary, stereo, matrix or cue outputs are
too high, a peak LED in the output VU meters flashes to
warn of the impending danger of clipping.
All
inputs include 4-band parametric EQ
This features high/low shelving, switchable inserts, 8 VCA
control assigns and direct outs.
Unique
12 x 4 stereo x 4 mono Mix Matrix
The matrix features 4 stereo and 4 mono outputs .
128
digitally controlled memories
It instantly recall mute scenes.
PFL
and VCA cue trims
The trims allow optimum level setting.
4
Stereo input modules come standard
More modules are optional.
Continuously
variable 50 dB gain trim
It also comes with a switchable 30 dB pad which lets inputs
handle any signal.
8
mono auxiliary mixing busses
The busses are all pre/post selectable via external switches.
8
primary mix busses (groups)
In addition to the mix busses, a stereo buss can be "direct
assigned" from inputs.
8
VCA groups
The VCA groups are equipped with mute and cue capability
which are controlled by full-length group faders.
Large
dedicated stereo VU meters
The VU meters plus 12 switchable VU meters display output
level.
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